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YA Dystopias at Wake Forest University (IHS)

Metropolis

Happy early birthday wishes to syredronning! May you enjoy many happy returns of the day, my friend.

This weekend I will be at Wake Forest University, speaking to the undergraduate and graduate students attending the "Liberty and Society" summer seminar sponsored by the Institute for Humane Studies. I'll be lecturing on the phenomenon of young adult dystopian literature: "Why Worlds Gone Wrong Are Hot."

For those attendees and others who may be interested, I am posting the bibliography of primary and secondary sources used to prepare my talk. (Note: This list has been updated since my last posting. If you follow/bookmark this link, you'll always be directed to the most recent iteration of this list. Suggestions/recommendations are welcome!)



Note: I am intentionally casting a wide net by defining "dystopian" works as those that imply a warning by describing a world gone wrong: utopias that took a bad turn, worst-case scenario post-apocalyptic societies, post-disaster tales that focus more on the undesirable communities that develop after the disasters than on the disasters themselves, etc.

Or, to put it another way (quoting The American Heritage® Dictionary of the English Language, Fourth Edition), "dys·to·pi·a (dĭs-tō'pē-ə): 1.An imaginary place or state in which the condition of life is extremely bad, as from deprivation, oppression, or terror."

I am defining YA as books specifically written and marketed for young adult readers.

I welcome any and all suggestions for additions to this list.


Half a Century of English-Language Young Adult Dystopias

1960s
The Time Quintet by Madeleine L'Engle (1962-1989) (original trilogy counted: dystopian elements)
The City Underground (a.k.a. Surreal 3000) by Suzanne Martel (1963)
Legend of Lost Earth by Hope Campbell (1963)
The Changes Trilogy by Peter Dickinson (1968-1970)
Dark Piper by Andre Norton (1968)
The Tripods Series by Samuel Youd (as John Christopher) (1968-1988)
The Day of the Drones by A.M. Lightner (1969)

1970s
Earth Times Two by Pamela Reynolds (1970)
The Hydronauts Series by Carl L. Biemiller (1970-1974)
The Incredible Tide by Alexander Key (1970)
The Sword of the Spirits Trilogy by Samuel Youd (as John Christopher) (1970-1972)
Andra by Louise Lawrence (1971)
The Far Side of Evil by Sylvia Engdahl (1971, revised edition 2003)
The Guardians by Samuel Youd (as John Christopher) (1971)
Out There by Adrien Stoutenburg (1971)
Sleep Two, Three, Four! A Political Thriller by John Neufeld (1971)
Time Gate by John Jakes (1972)
The Endless Pavement by Jacqueline Jackson and William Perlmutter (1973)
Momo (also published as The Grey Gentleman) by Michael Ende (1973)
The Morrow Duology by H.M. Hoover (1973, 1976)
House of Stairs by William Sleator (1974)
Outside by Andre Norton (1974)
The Pale Invaders by G.R. Crosher (as G.R. Kestavan) (1974)
Wild Jack by by Samuel Youd (as John Christopher) (1974)
Conversations by Barry Malzberg (1975)
The Girl Who Owned a City by O.T. Nelson (1975)
No Man's Land by Simon Watson (1975)
No Night Without Stars by Andre Norton (1975)
Noah's Castle by John Rowe Townsend (1975)
Odyssey from River Bend by Tom McGowan (1975)
Ransome Revisited and The Travelling Man by Elisabeth Mace (1975, 1976)
Z for Zachariah by Robert C. O'Brien (1975)
The Borrible Trilogy by Michael de Larrabeiti (1976-1986)
City of Darkness by Ben Bova (1976)
Kennaquhair by Ruth Hooker (1976)
The Missing Person's League by Frank Bonham (1976)
The Delikon by H.M. Hoover (1977)
Empty World by Samuel Youd (as John Christopher) (1977)
I Am The Cheese by Robert Cormier (1977)
The Shadow of the Gloom-World by Roger Eldridge (1977)
Survival Planet: A Novel of the Future by Arthur Tofte (1977)
The Ennead by Jan Mark (1978)
Jack-in-the-Box Planet by Robert Hoskins (1978)
The Justice Trilogy by Virginia Hamilton (1978-1981)
Keep Calm (a.k.a. When the City Stopped) by Joan Phipson (1978)
The Tomorrow City by Monica Hughes (1978)
A Quest for Orion and Tower of the Stars by Rosemary Harris (1978, 1980)
The Awakening Water by G.R. Crosher (as G.R. Kesteven) (1979)
Beyond the Dark River by Monica Hughes (1979)
Dark Wing by Carl West and Katherine MacLean (1979)
The Forever Formula by Frank Bonham (1979)

1980s
The Creatures (a.k.a. King Creature, Come) by John Rowe Townsend (1980)
A Rag, A Bone, and Hank of Hair by Nicholas Fisk (1980)
Red Zone by Tom Browne (1980)
This Time of Darkness by H.M. Hoover (1980)
The Green Book by Jill Paton Walsh (1981)
The S.I.L.V.E.R. Series by Tanith Lee (1981, 2005)
The Voyage Begun by Nancy Bond (1981)
The Vandal by Ann Schlee (1981)
An Alien Music by Annabel and Edgar Johnson (1982)
The DNA Dimension, Fusion Factor (also published as It's Up to Us), Zanu, and Me, Myself & I by Carol Matas (1982, 1986, 1987)
The Huntsman Trilogy by Douglas Hill (1982-1984)
The Last Children of Schewenborn (also spelled Schevenborn) by Gudrun Pausewang (1983)
Waiting for the End of the World by Lee Harding (1983)
After the Bomb and Week One by Gloria Miklowitz (1984, 1987)
Brother in the Land by Robert Swindells (1984)
The Colsec Series by Douglas Hill (1984-1985)
The Danger Quotient by Annabel and Edgar Johnson (1984)
The Devil on My Back and The Dream Catcher by Monica Hughes (1984, 1986)
Futuretrack 5 by Robert Westall (1984)
Guardians of Time by Peter Baltensperger (1984)
The Shepherd Moon by H.M. Hoover (1984)
Beyond the Future by Johanne Masse (1985)
Children of the Dust by Louise Lawrence (1985)
Earthchange by Clare Cooper (1985)
Quest Beyond Time by Tony Morphett (1985)
Strange Tomorrow by Jean E. Karl (1985)
The Time Keeper Trilogy by Barbara Bartholomew (1985)
The Winter Trilogy by Pamela F. Service (1985-2008)
Wolf of Shadows by Whitley Strieber (1985)
The Keeper by Barry Faville (1986)
The Others by Alison Prince (1986)
Taronga by Victor Kelleher (1986)
The Fire Brats Series by Barbara Siegel, Scott Siegel, and Barbara Steiner (1987-1988)
The Makers by Victor Kelleher (1987)
Orvis (a.k.a. Journey Through the Empty) by H.M. Hoover (1987)
The Paperchaser and The Catalyst by Penny Hall (1987, 1989)
The Sword and the Dream Duology by Janice Elliott (1987, 1988)
The Obernewtyn Chronicles by Isobelle Carmody (1987-2008, ongoing)
Cityscape by Frances Thomas (1988)
Escape to the Overworld by Nicole Luiken (1988)
Eva by Peter Dickinson (1988)
The Lake at the End of the World by Caroline Macdonald (1988)
Children of Time by Deborah Moulton (1989)
The Glimpses by Laurence Staig (1989)
I Feel Like the Morning Star by Gregory Maguire (1989)
The Last War by Martyn Godfrey (1989)
Plague 99 (a.k.a. Plague) and Come Lucky April (a.k.a. After the Plague) by Jean Ure (1989, 1992)
Why Weeps the Brogan? by Hugh Scott (1989)

1990s
Invitation to the Game by Monica Hughes (1990)
Smart Rats by Thomas Baird (1990)
The Survival Squad by Floyd Priddle (1990)
A Time of Darkness by Sherryl Jordan (1990)
The Eye Witness by Caroline Macdonald (1991)
Scatterlings by Isobelle Carmody (1991)
The Crystal Drop by Monica Hughes (1992)
The Dark Future Series by Laurence James (1992)
Dead Water Zone by Kenneth Oppel (1992)
Future Thaw by Audrey O'Hearn (1992)
River Rats by Caroline Stevermer (1992)
The Baby and the Fly Pie by Melvin Burgess (1993)
Guardian of the Dark by Beverley Spencer (1993)
The Giver Trilogy by Lois Lowry (1993-2004)
The Last Oasis by Sue Pace (1993)
Winter of Fire by Sherryl Jordan (1993)
The Disinherited (a.k.a. The Patchwork People) by Louise Lawrence (1994)
The Electric Kid by Garry Kilworth (1994)
The Parkland Series by Victor Kelleher (1994-1996)
Time Ghost by Welwyn Wilton Katz (1994)
The Tomorrow Series by John Marsden (1994-1999) and The Ellie Chronicles (2003-2006)
The His Dark Materials Trilogy by Philip Pullman (1995-2000) (dystopian elements)
Fall-Out by Gudrun Pausewang (1995)
Foundling (a.k.a. Found) by June Oldham (1995)
Galax-Arena and Terra-Farma by Gillian Rubenstein (1995, 2001)
Waterbound by Jane Stemp (1995)
Cave Rats by Kerry Greenwood (1997)
The Scavenger's Tale by Rachel Anderson (1997)
Shade's Children by Garth Nix (1997)
The Virtual War Chronologs by Gloria Skurzynski (1997-2006)
The Ark Trilogy by Stephanie S. Tolan (1998-ongoing)
The Denials of Kow-Ten by Jenny Robson (1998)
Evan's Voice by Sallie Lowenstein (1998)
Forbidden Memories by Jamila Gavin (1998)
Off the Road by Nina Bawden (1998)
Originator by Claire Carmichael (1998)
The Shadow Children Sequence by Margaret Peterson Haddix (1998-2006)
Bloodtide and Bloodsong by Melvin Burgess (1999, 2005)
Cloning Miranda, The Second Clone, and The Dark Clone by Carol Matas (1999, 2001, 2005)
The Copper Elephant by Adam Rapp (1999)
The Cure by Sonia Levitin (1999)
Fabricant by Claire Carmichael (1999)
The Hermit Thrush Sings by Susan Butler (1999)
Star Split by Kathryn Lasky (1999)

The Aughts
Floodland by Marcus Sedgwick (2000)
The Heaven and Earth Trilogy by Richard Harland (2000-2003)
Incognito by Claire Carmichael (2000)
The Last Book in the Universe by Rodman Philbrick (2000)
Songs of Power by Hilari Bell (2000)
The White Fox Chronicles by Gary Paulsen (2000)
Hole in the Sky by Pete Hautman (2001)
Memory Boy by Will Weaver (2001)
Mortal Engines Quartet and two prequels (a.k.a. The Hungry City Chronicles) by Philip Reeve (2001-2006, 2009, 2011)
The Noughts and Crosses Series by Malorie Blackman (2001-2008)
The Remnants Series by K.A. Applegate (2001-2003)
This Side of Paradise by Steven L. Layne (2001)
Violet Eyes and Silver Eyes (sequel Angel Eyes pending) by Nicole Luiken (2001)
The Wintering Trilogy by Stephen Bowkett (2001-2002)
Bootleg by Alex Shearer (2002)
Feed by M.T. Anderson (2002)
The Fire-Us Trilogy by Jennifer Armstrong and Nancy Butcher (2002-2003)
Green Boy by Susan Cooper (2002)
The House of the Scorpion by Nancy Farmer (2002)
The Books of Ember by Jeanne Duprau (2003-2008, ongoing)
The Dirt Eaters by Dennis Foon (2003)
Green Angel and Green Witch by Alice Hoffman (2003, 2010)
The Lionboy Trilogy by Zizou Corder (2003-2006)
The Silver Sequence by Cliff McNish (2003-2005)
Annals of the Western Shore Trilogy by Ursula K. Le Guin (2004-2007)
The Bar Code Tattoo and The Bar Code Rebellion by Suzanne Weyn (2004, 2006)
The Big Empty Series by J.B. Stephens (2004-2005)
Bringing Reuben Home by Glenda Millard (2004)
Epic and Saga by Conor Kostick (2004, 2006)
The Galahad Series (The Comet's Curse, The Web of Titan, and The Cassini Code) by Dom Testa (2004-2007)
Flux and Fixed by Beth Goobie (2004, 2005)
How I Live Now by Meg Rosoff (2004)
The Pack by Tom Pow (2004)
Sharp North and Blown Away by Patrick Cave (2004, 2005)
Sleepwalking by Nicola Morgan (2004)
The Supernaturalist by Eoin Colfer (2004)
Thinner Than Thou by Kit Reed (2004)
The Truesight Trilogy by David Stahler, Jr. (2004-2007)
Useful Idiots by Jan Mark (2004)
The Destiny of Linus Hoppe and The Second Life of Linus Hoppe by Anne-Laure Bondoux (2005)
The Diary of Pelly D and Cherry Heaven by L.J. Adlington (2005, 2007)
The Goodness Gene by Sonia Levitin (2005)
The Hunted by Alex Shearer (2005)
Maddigan's Fantasia by Margaret Mahy (2005)
Pure by Karen Krossing (2005)
Surviving Antarctica: Reality TV 2083 by Andrea White (2005)
The Secret Under My Skin and The Raintree Rebellion by Janet McNaughton (2005, 2006)
Siberia by Ann Halam (2005)
Stolen Voices by Ellen Dee Davidson (2005)
The Traces Series by Malcolm Rose (2005-2o08, ongoing)
The Uglies Series by Scott Westerfeld (2005-2007)
GemX by Nicky Singer (2006)
Ads R Us (a.k.a. Leaving Simplicity) by Claire Carmichael (2006)
The Caretaker Trilogy by David Klass (2006, 2008, ongoing)
Life As We Knew It, The Dead and the Gone, and This World We Live In by Susan Beth Pfeffer (2006, 2008, 2010)
Mergers by Steven L. Layne (2006)
Rash by Pete Hautman (2006)
The Six of Hearts Series by Jack Heath (2006-ongoing)
Winter Song (also released as Winter's End by Jean-Claude Mourlevat (2006)
The Atherton Trilogy by Patrick Carman (2007-2009)
The Declaration and The Resistance by Gemma Malley (2007, 2008) [O] [R 1st]
Escape from Genopolis and Fearless by T.E. Berry-Hart (2007, 2009)
Fearless by Tim Lott (2007)
First Light by Rebecca Stead (2007)
Hybrids by David Thorpe (2007)
Incarceron and Sapphique by Catherine Fisher (2007, 2008)
The Inferior by Peadar ó Guilín (2007)
The Rule of Claw by John Brindley (2007)
The Silenced by James DeVita (2007)
Silverhorse by Lene Kaaberbøl (2007)
Titanic 2020: Cannibal City by Colin Bateman (2007)
Tug of War by Catherine Forde (2007)
Unwind by Neal Shusterman (2007)
The Witness by James Jauncey (2007)
The Adoration of Jenna Fox by Mary Pearson (2008)
After the Flood by L.S. Matthews (2008)
Bad Faith by Gillian Philip (2008)
The Carbon Diaries 2015 and The Carbon Diaries 2017 by Saci Lloyd (2008, 2010)
The Cure by Michael Coleman (2008)
The Compound by S.A. Bodeen (2008)
Daylight Runner by Oisín McGann (2008)
Exodus, Zenith, and Aurora by Julie Bertagna (2008, 2009, third book pending)
Gone, Hunger, and Lies by Michael Grant (2008-2010)
The Grassland Trilogy by David Ward (2008-2010)
The Hunger Games, Catching Fire, and Mockingjay by Suzanne Collins (2008-2010)
In the Company of Whispers by Sallie Lowenstein (2008)
The Chaos Walking Trilogy (The Knife of Never Letting Go, The Ask and the Answer, and Monsters of Men) by Patrick Ness (2008, 2009)
The Last Free Cat by Jon Blake (2008)
Little Brother by Cory Doctorow (2008)
The Lost Art by Simon Morden (2008)
Neptune's Children by Bonnie Dobkin (2008)
The Other Side of the Island by Allegra Goodman (2008)
Reavers Ransom (also released as Flood Child and Raiders Ransom) and Flood and Fire by Emily Diamand (2008, 2010)
The Roar and The Whisper by Emma Clayton (2008, 2009
Shift by Charlotte Agell (2008)
The Sky Inside and The Walls Have Eyes by Clare B. Dunkle (2008, 2009)
Streams of Babel and Fire Will Fall by Carol Plum-Ucci (2008, 2010)
Test by William Sleator (2008)
Truancy, Truancy: Origins, and Truancy City by Isamu Fukui (2008-2010)
Bones of Faerie by Janni Lee Simner (2009)
Candor by Pam Bachorz (2009)
The Enemy by Charlie Higson (2009)
The Farwalker's Quest by Joni Sensel (2009)
The Forest of Hands and Teeth and The Dead-Tossed Waves by Carrie Ryan (2009, 2010)
Furnace: Lockdown, Furnace: Solitary, and Furnace: Death Sentence by Alexander Gordon Smith (2009)
Genesis by Bernard Beckett (2009)
Girl in the Arena by Lise Haines (2009)
Legend by John Brindley (2009)
Libyrinth by Pearl North (2009)
Lifegame by Alison Allen-Gray (2009)
The Maze Runner and The Scorch Trials by James Dashner (2009, 2010)
Pastworld by Ian Beck (2009)
Skinned, Crashed, and Wired by Robin Wasserman (2009-2010)
A Small Free Kiss in the Dark by Glenda Millard (2009)
Vulture’s Gate (also released as Vulture's Wake) by Kirsty Murray (2009)
Witch and Wizard by James Patterson and Gabrielle Charbonnet (2009)
X-isle by Steve Augarde (2009)

Contemporary
Birthmarked by Caragh O'Brien (2010)
Black Hole Sun by David Macinnis Gill (2010)
Blackout by Sam Mills (2010)
The Clone Codes by Patricia C. McKissack, Frederick L. McKissack, and John McKissack (2010)
Dark Life by Kat Falls (2010)
Empty by Suzanne Weyn (2010)
Epitaph Road by David Patneaude (2010)
For the Win by Cory Doctorow (2010)
The Gardener by S.A. Bodeen (2010)
Inside Out by Maria V. Snyder (2010)
Last Midnight by Parker Peevyhouse (2010)
The Line (sequel Away forthcoming in 2011) by Teri Hall (2010)
Matched by Allyson Condie (2010)
Nomansland by Lesley Hauge (2010)
The Owl Keeper by Christine Brodien-Jones (2010)
Restoring Harmony by Joelle Anthony (2010)
Rot and Ruin by Jonathan Maberry (2010)
Saving Sky by Diane Stanley (2010)
Ship Breaker by Paolo Bacigalupi (2010)
The Unidentified by Rae Mariz (2010)
We by John Dickinson (2010)
Across the Universe by Beth Revis (2011)
Ashes, Ashes by Jo Treggiari (2011)
Delirium by Lauren Oliver (2011)
Deserter by Peadar ó Guilín (2011)
The Long Walk Home by Jeff Hirsch (2011)
Memento Nora by Angie Smibert (2011)
The Unwanteds by Lisa McMann (2011)
The Water Wars by Cameron Stracher (2011)
XVI by Julia Karr (2011)
Razorland by Ann Aguirre (2011)
Perfect by Peter Lerangis (2012)

Note:
Books translated into English are listed by the original date published in language of origin.


Noteworthy Books That Don't Quite Fit My Parameters But Are Relevant to This List

Star Man's Son, 2250 A.D. (a.k.a. Daybreak, 2250 A.D.) by Andre Norton (1952)
Vault of the Ages by Poul Anderson (1952)
The Chrysalids by John Wyndham (1955)
Mary's Country by Harold Mead (1957)
The Future Took Us by David Severn (1958)
The Four-BEE Duology by Tanith Lee (1976, 1977)
Ender's Game by Orson Scott Card (1985)
Parable of the Sower by Octavia Butler (1993)
Into the Forest by Jean Hegland (1996)
Battle Royale by Koushun Takami (1999)
Never Let Me Go by Kazuo Ishiguro (2005)
The Never Ending Sacrifice by Una McCormack (2009)




A Select Bibliography of Works About Young Adult Dystopias

Ahtezak, Janice. "The Visions of H.M. Hoover." Children's Literature Association Quarterly. 10 (1985): 73-76.

Applebaum, Noga. Representations of Technology in Science Fiction for Young People: Control Shift. New York: Routledge, 2009.

Braithewaite, Elizabeth. "'When I Was a Child I Thought as a Child…': The Importance of Memory in Constructions of Childhood and Social Order in a Selection of Post-Disaster Fictions." Papers: Explorations into Children's Literature. 15:2 (September 2005): 50 (8).

Brians, Paul. "Nuclear War Fiction for Young Readers: A Commentary and Annotated Bibliography." Science Fiction, Social Conflict and War. Manchester: Manchester University Press, 1990. 132-150.

Butts, Dennis. "The Adventure Story." Stories and Society: Children's Literature in Its Social Context. Dennis Butts, ed. New York: St. Martin's, 1992. 65-83.

Crew, Hilary S. "Not So Brave a World: The Representation of Human Cloning in Science Fiction for Young Adults." The Lion and the Unicorn. 28 (2004) 203-221.

Deane, Paul. "Science and Technology in the Children's Fiction Series." Lamar Journal of the Humanities. 16:1. (1990): 20-32.

Esmonde, Margaret. "After Armageddon: The Post Cataclysmic Novel for Young Readers." Children's Literature: The Annual of the Modern Language Association Group on Children's Literature and the Children's Literature Association. Philadelphia: 1977. 211-220.

Hintz, Carrie. "Monica Hughes, Lois Lowry, and Young Adult Dystopias." The Lion and the Unicorn. 26 (2002) 254-264.

Hintz, Carrie and Elaine Ostry, eds. Utopian and Dystopian Writing Children and Young Adults. New York: Routledge, 2003.

James, Kathryn. Death, Gender and Sexuality in Contemporary Adolescent Culture. New York: Routledge, 2009.

Kennan, Patricia. "'Belonging' in Young Adult Dystopian Fiction: New Communities Created by Children." Papers: Explorations into Children's Literature. 15:2 (September 2005) 40(10).

May, Jill and Perry Nodelman. "The Perils of Generalizing about Children's Science Fiction." Science Fiction Studies. 13:2: "Nuclear War and Science Fiction." (July 1986) 225-229.

Mendlesohn, Farah. "The Campaign for Shiny Futures." The Horn Book Magazine. (March/April 2009) Online here.

___. The Inter-Galactic Playground: A Critical Study of Children's and Teens' Science Fiction. Jefferson, N.C.: McFarland & Co., 2009.

Miller, Laura. "Fresh Hell: What's Behind the Boom in Dystopian Novels for Young Readers?" The New Yorker (June 14, 2010). Online here.

Milner, Joseph O. "Oathkeepers and Vagrants: Meliorist and Reactive World Views in Science Fiction." Children's Literature Association Quarterly. 10 (1985): 71-73.

Muller, Al. "Doomsday Fiction and the YA Reader." The ALAN Review. 16:1 (Fall 1988): 42-45.

Nikolajeva, Maria. Power, Voice and Subjectivity in Literature for Young Readers. New York: Routledge, 2010.

Nodelman, Perry. "Out There in Children's Science Fiction: Forward into the Past." Science Fiction Studies. 12: 3 (November 1985) 285-296.

Ostry, Elaine. "'Is He Still Human? Are You?': Young Adult Science Fiction in the Posthuman Age." The Lion and the Unicorn. 28 (2004) 222-246.

Reber, Lauren L. Negotiating Hope and Honesty: A Rhetorical Criticism of Young Adult Dystopian Literature. M.A. Thesis, Department of English: Brigham Young University, 2005.

Sambell, Kay. "Carnivalizing the Future: A New Approach to Theorizing Childhood and Adulthood in Science Fiction for Young Readers." The Lion and the Unicorn. 28 (2004) 247-267.

Springen, Karen. "Apocalypse Now: Teens Turn to Dystopian Novels," Publisher's Weekly (Online), 15 February, 2010. Online here.

Sullivan III, C.W., ed. Science Fiction for Young Readers. Contributions to the Study of Science Fiction and Fantasy, Number 56. C.W. Sullivan III, ed. Westport, Connecticut: Greenwood Press, 1993.

___. Young Adult Science Fiction. Contributions to the Study of Science Fiction and Fantasy, Number 79. C.W. Sullivan III, ed. Westport, Connecticut: Greenwood Press, 1999.

Svilpis, Jānis. "Authority, Autonomy, and Adventure in Juvenile Science Fiction." Children's Literature Association Quarterly. 8 (Fall 1983): 22-26.

Walton, Jo. "The Dystopic Earths of Heinlein's Juveniles." Tor.com. 5 August, 2008. Online here.

Wehmeyer, Lillian B. Images in a Crystal Ball: World Futures in Novels for Young People. Littleton: Libraries Unlimited, 1981.

Yoke, Carl B. Phoenx from the Ashes: The Literature of the Remade World. Westport, Connecticut: Greenwood Press, 1987.

Zipes, Jack. "The Age of Commodified Fantasticism: Reflections of Children's Literature and the Fantastic." Children's Literature Association Quarterly. 9 (Fall 1984-1985): 187-190.



It’s disgusting. They melted my girl down and poured her into their mold. And this perversion is what she cooled into. I can’t be near her. Can’t see her, smell her, hear her voice chirping like a bird.

I tell her the same thing I’ve been whispering every night on the roof. “I’m sorry. It’s my fault."

- Pam Bachorz, Candor

Comments

( 34 comments — Leave a comment )
boojumlol
May. 29th, 2010 10:50 pm (UTC)
Wow, that's impressive. You make me want to read my way through them.

The only books I can think of that are missing are Michael de Larrabeiti's Borribles Trilogy and Michael Ende's Momo.
eldritchhobbit
May. 29th, 2010 11:07 pm (UTC)
Thank you so much. I really appreciate your recommendations; I've added them to the list. Thanks!
boojumlol
May. 30th, 2010 03:30 am (UTC)
Oh, and there are also some more Tanith Lee dystopias, but I haven't read her work extensively, so I only know a few. One is Eva Fairdeath, the other I think is called the Four-Bee series. It starts with Biting the Sun, anyway.

Robert O'Brien's The Silver Crown is also dystopia.

I would love a list of favourites as well. I haven'e even heard of most of these.
eldritchhobbit
May. 30th, 2010 10:57 am (UTC)
Thank you so much!

I remember looking at Eva Fairdeath, but it didn't seem to me that it had been marketed specifically as a young adult book. I'll go back and check. I'll look up the others as well. I appreciate the suggestions!

I'll plan to make another post soon about my favorites! Thanks for being interested.

Edited at 2010-05-30 12:44 pm (UTC)
(Anonymous)
May. 30th, 2010 06:32 pm (UTC)
@dirtywhitecandy www.nailyournovel.com
The two novels you're thinking of are, I think, Don't Bite The Sun and Drinking Sapphire Wine. Four Bee is the world in which they are set. And they're terrific, BTW!
eldritchhobbit
Jun. 4th, 2010 04:53 pm (UTC)
FYI, I just posted my list of top favorites here!
astromachy
May. 29th, 2010 11:07 pm (UTC)
Oh my gosh, I never knew that there was a sequel to The Children of Morrow. I loved that book. Thanks; I need to go and search second-hand booksites right now!
eldritchhobbit
May. 30th, 2010 10:57 am (UTC)
Happy shopping/reading! :)
syredronning
May. 29th, 2010 11:32 pm (UTC)
Thanks so much!

And awww, you bring on this list just when I was wondering whether I should write original fic after all - and I'd love to write Dystopian novels but I totally would have to catch up with the current trends :/

Would you have a list of top favorites somewhere? The lists here are super-long and a little intimidating so I would appreciate pointers :)
eldritchhobbit
May. 30th, 2010 11:11 am (UTC)
You're most welcome! *hugs*

I do hope you plan to write some original fic, too! In some ways, you might be better positioned to write a dystopia because you haven't read the very latest in the genre: you'll have a fresh new perspective.

I'll plan to post a "top favorites" list very soon. Thanks for being interested!
eldritchhobbit
Jun. 4th, 2010 02:08 pm (UTC)
FYI, I just posted my list of top favorites here!

Edited at 2010-06-04 02:20 pm (UTC)
trainwind
May. 30th, 2010 12:49 am (UTC)
Thank you so much for this list. I've bookmarked it for future reference. I also second syredronning's request of a favorites list -- I had no idea there were so many dystopian YA novels out there.

Do you perceive a different trend in the popularity of dystopian literature written for young adults as opposed to that written for adults? Or: Do you recall that being a topic touched on in any of the articles you read when preparing your talk?
eldritchhobbit
May. 30th, 2010 12:56 pm (UTC)
Thanks so much for your interest! I'll plan to post a "top favorites" list very soon.

One of the main things I've noticed - and Noga Applebaum implies this as well in her book on science fiction for young readers - is that many contemporary YA dystopias are written with anti-technological, even anti-scientific themes, in which the world has "gone wrong" because of scientists and their technology, and additional scientific research and/or technological advances are not viable solutions for solving the problem. This "pastoral" mindset, and especially the rejection of technology/science, doesn't seem to be quite as prevalent in mainstream adult dystopias. This perhaps comes from the training of the authors themselves; a long-term trend in YA SF, including YA dystopian fiction, has been that the authors increasingly are trained in the humanities and not in the sciences. I'm not criticizing that - hey, I was trained in the humanities myself! - but it arguably does affect the overall tone/message of the works.

Some of the contemporary YA dystopias today are more likely to suggest abandoning Information Age technology and its notions of progress altogether, whereas fifty years ago the same novels would have encouraged more experimentation and innovation to solve similar problems. This is a gross overgeneralization, of course, but that's one thing I've noticed. Applebaum suggests this reflects a generation gap - and sometimes a perverse power dynamic - between the adult authors and the young adult readers. I'm still mulling this over. Many of her conclusions make intuitive sense to me, based on the novels I've read so far.

Edited at 2010-05-30 12:56 pm (UTC)
trainwind
May. 31st, 2010 07:29 pm (UTC)
That's quite interesting, and I'll have to think about it more -- in my field, Latin American literature, the social sciences and humanities bent of SF has been around since the beginning. I look forward to having a look at the Applebaum book you mentioned. Thanks again for the bibliography, and your response!
eldritchhobbit
Jun. 4th, 2010 04:54 pm (UTC)
My pleasure! FYI, I just posted my list of top favorites here!
trainwind
Jun. 4th, 2010 07:08 pm (UTC)
Thank you! I've bookmarked your favorites list as well, and look forward to checking out your selections.
(Anonymous)
May. 30th, 2010 06:30 pm (UTC)
@dirtywhitecandy www.nailyournovel.com
Terrific list! I'm bookmarking this - especially as I'm building a YA dystopia reading list. thanks for creating such a great resource.

eldritchhobbit
May. 31st, 2010 12:39 pm (UTC)
Re: @dirtywhitecandy www.nailyournovel.com
You're most welcome! I'm so pleased that it's of interest and use to you.
gio_t
May. 30th, 2010 07:17 pm (UTC)
What a great list!I'm an avid reader (devourer) of all YA especially those of the apocalyptic persuasion.
I noticed you have some future releases on it. My own dystopian YA, "Ashes,Ashes" will be published in 2011 by Scholastic.
Jo Treggiari
eldritchhobbit
May. 31st, 2010 12:42 pm (UTC)
Hi! It's wonderful to "meet" you. Thank you so much for telling me about your forthcoming novel. I'll add it to the list immediately, and I'll be looking forward to reading it when it's available!
gio_t
May. 31st, 2010 01:19 pm (UTC)
Thanks! I hope you enjoy it!
Jo
jadepilot
May. 31st, 2010 03:38 pm (UTC)
What a great list. Thanks for sharing!
eldritchhobbit
May. 31st, 2010 03:40 pm (UTC)
You're most welcome! I'm so glad it's of interest.
gods_lil_rocker
Jun. 2nd, 2010 04:06 am (UTC)
My goodness, that's quite a list. *feels remarkably under-read* I'm very glad to see The Hunger Games Trilogy on here. That is such a great series that needs more recognition!
eldritchhobbit
Jun. 3rd, 2010 05:04 pm (UTC)
I can't wait for the third book in the trilogy that's due out this August!
gods_lil_rocker
Jun. 5th, 2010 05:29 pm (UTC)
Neither can I! My jaw might still be on the ground after finishing Catching Fire. *picks up jaw and attempts to re-engage...FAIL*
wellinghall
Jun. 2nd, 2010 01:22 pm (UTC)
Can I be nosy, and ask if there is any particular reason for your interest in YA dystopias? And why YA dystopias in particular, as opposed to all dystopias?
eldritchhobbit
Jun. 3rd, 2010 05:13 pm (UTC)
That's not nosy at all! :) I'm very interested in dystopias in general, and I read as many mainstream/adult dystopias as YA dystopias. But over the last year or two, I've found myself drawn into a project specifically on YA dystopias for several reasons. For one thing, dystopias written and marketed specifically for YAs are a fairly recent phenomenon (whereas dystopias in general are as old, arguably, as Plato's Republic), and so the development and trajectory of the subgenre is easier to get a handle on and study. For another thing, there's been a recent explosion in the publication of YA dystopias that coincides with some other important changes within the larger genre, as well, so it's a fruitful area of study: what's going on here? How, if at all, might these trends be related? And what might we learn from them?

Some recent scholars - especially Noga Applebaum - have pointed out some significant trends that seem to me to have long-lasting implications both for YAs and for science fiction as a whole (not to mention pedagogy - that's a whole other, related topic), and I've been doing some research along similar lines. So far, this interest/work has led me to deliver a paper at WorldCon, give a podcast lecture, and speak on the subject at several universities; I don't know yet how it will end up, but I have the sense that this is an important time to be looking into the popularity of and changes in YA dystopias (English-language ones, anyway), and their messages and purposes and reception, and I'm having quite a lot of fun doing so.

Edited at 2010-06-03 05:15 pm (UTC)
wellinghall
Jun. 3rd, 2010 05:21 pm (UTC)
Thank you!
eldritchhobbit
Jun. 3rd, 2010 05:24 pm (UTC)
I hope that wasn't too long-winded and actually answered your question somewhat. Personally, I love dystopian works any way I can get 'em. (One of my favorite books of all time is Mary Shelley's The Last Man.) What can I say? I'm an emo Gen-Xer, after all. ;)
wellinghall
Jun. 3rd, 2010 05:41 pm (UTC)
It was a great answer!
(Anonymous)
Jun. 3rd, 2010 09:50 pm (UTC)
comments on your Liberty and Society lecture
http://austrianaddiction.rationalmind.net/archives/2010/06/the-captivating.html
eldritchhobbit
Jun. 5th, 2010 01:51 pm (UTC)
Re: comments on your Liberty and Society lecture
Thanks so much!
eldritchhobbit
Jun. 5th, 2010 02:11 pm (UTC)
Re: comments on your Liberty and Society lecture
I can't seem to reply to your post (I get repeated error messages), so I'll reply here:

Thanks for the shout out and the kind words! I greatly appreciate your comments; I'll definitely give this more thought.

I'm not entirely sure that the shift from "hard" to social sciences fits the trajectory of the field: this happened in SF as early as the sixties, with great authors like Samuel Delany and Ursula K. Le Guin harnessing the insights of linguistics, anthropology, and sociology, as well as economics. On the other hand, though, it is the case that fewer of the YA SF writers today are trained (either formally or informally) in the "hard" sciences than they were, say, in the fifties.

The gender angle is more problematic: for one thing, some of the most popular YA SF authors today are bestselling writers like Scott Westerfeld (of the famous Uglies series) and Matthew Tobin Anderson (of Feed fame). And I'm not entirely sure how far we should follow Caplan's thoughts on gender, anyway.

I'll definitely mull this over, however, and have a go at the sources to which you linked. This already has been helpful, and I know it will prove even moreso as I continue to read. Thanks for the insights and terrific food for thought!

(By the way, considering your favorite novels, I'd highly recommend Yevgeny Zamyatin's We, if you haven't already read it. It's one of the key influences on Rand's Anthem as well as 1984 and Brave New World, and it does some delightfully subversive things with mathematics.)
( 34 comments — Leave a comment )

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