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"rouse the funereal chords"

The Edmonton Journal's complete countdown list of scariest things from last year is available here.

Today's text is an excerpt from one of my most favorite novels, the poignant The Last Man (1826) by Mary Shelley. I find this particular passage to be especially haunting:

Let fancy pourtray the joyous scene of the twentieth of June, such as even now my aching heart recalls it.

Circumstances had called me to London; here I heard talk that symptoms of the plague had occurred in hospitals of that city. I returned to Windsor; my brow was clouded, my heart heavy; I entered the Little Park, as was my custom, at the Frogmore gate, on my way to the Castle. A great part of these grounds had been given to cultivation, and strips of potatoe-land and corn were scattered here and there. The rooks cawed loudly in the trees above; mixed with their hoarse cries I heard a lively strain of music. It was Alfred’s birthday. The young people, the Etonians, and children of the neighbouring gentry, held a mock fair, to which all the country people were invited. The park was speckled by tents, whose flaunting colours and gaudy flags, waving in the sunshine, added to the gaiety of the scene. On a platform erected beneath the terrace, a number of the younger part of the assembly were dancing. I leaned against a tree to observe them. The band played the wild eastern air of Weber introduced in Abon Hassan; its volatile notes gave wings to the feet of the dancers, while the lookers-on unconsciously beat time. At first the tripping measure lifted my spirit with it, and for a moment my eyes gladly followed the mazes of the dance. The revulsion of thought passed like keen steel to my heart. Ye are all going to die, I thought; already your tomb is built up around you. Awhile, because you are gifted with agility and strength, you fancy that you live: but frail is the “bower of flesh” that encaskets life; dissoluble the silver cord than binds you to it. The joyous soul, charioted from pleasure to pleasure by the graceful mechanism of well-formed limbs, will suddenly feel the axle-tree give way, and spring and wheel dissolve in dust. Not one of you, O! fated crowd, can escape—not one! not my own ones! not my Idris and her babes! Horror and misery! Already the gay dance vanished, the green sward was strewn with corpses, the blue air above became fetid with deathly exhalations. Shriek, ye clarions! ye loud trumpets, howl! Pile dirge on dirge; rouse the funereal chords; let the air ring with dire wailing; let wild discord rush on the wings of the wind! Already I hear it, while guardian angels, attendant on humanity, their task achieved, hasten away, and their departure is announced by melancholy strains; faces all unseemly with weeping, forced open my lids; faster and faster many groups of these woe-begone countenances thronged around, exhibiting every variety of wretchedness—well known faces mingled with the distorted creations of fancy.

Read the complete novel here.


( 4 comments — Leave a comment )
Oct. 25th, 2006 01:02 pm (UTC)
Thanks for sharing all these fascinating sounding novels that can be read online without having to find the book! This is another I have bookmarked for reading. Mary Shelley is incredible!
Oct. 25th, 2006 03:01 pm (UTC)
You're most welcome! I'm thrilled the links are interesting and useful to you. I hope you enjoy these texts as much as I have.

And you're quite right: Mary Shelley is incredible! :)
Oct. 25th, 2006 01:48 pm (UTC)
I've never read The Last Man. I think I probably should...
Oct. 25th, 2006 03:02 pm (UTC)
I found it to be incredibly moving - especially when I realized that she used many people she knew (including Shelley and Byron) as models for the main characters.
( 4 comments — Leave a comment )